October 30
All of our hard work, all of our hopes and contributions, all of the practice and all of the heartfelt music led up to this day. It was a day we dreaded and a day we were certainly ecstatic to have come so soon.
As we walked through the Sportsplex doors there were many things going through the minds of every chorister. The anticipation, determination and focus were some of the most intense that this choir has probably ever seen. We got out there onto the stage and tried as hard as could and sang the way we always love singing. Having some of our fellow senior choristers in the audience made the performance that much more honourable.
Some of us first thought that this competition was about winning and keeping our good reputation up. But the reality of it all is that we shared our music and touched many hearts.
On a more personal note, after we sang Alami, in which we use sign language to tell part of the story, we saw a number of hearing impaired people stand up and sign “Thank You”. It was an amazing feeling that was indescribable.
So after many hugs and recognitions, and after another lunch at the Barn, we boarded our bus to start our drive towards France.
Our destination was St. Jean de Luz, a very important community for us because 500 years ago many Basque whalers departed from here for Labrador each year. First we went shopping in the quaint French shops. Some of us walked over to the beach and some of us looked at the harbour. Then we had supper before walking to the grand old church in the center of the town to hold our concert.
We performed along with a local Basque Men’s Choir. The church was breathtaking and the sound was exquisite. Our program contained many songs that we had not practiced in a while because we had been focusing on the competition songs. Even so, it was a fantastic concert, we were proud of our performance and the audience was very loud in their applause.
It was an overall eventful and exciting day for everyone – a day that we will never forget.
Chloe Abbott
Review in Diaro Vasco

(The Choir sang in the Tolosa competition on Sunday, October 30. The blog entry is forthcoming. The following is a link to the music review of the performance in the San Sebastian newspaper, Diaro Vasco. http://www.diariovasco.com/pg051031/prensa/noticias/
Cultura/200510/31/DVA-CUL-058.html. The following text is an English translation of this article.)
The children’s choir competition is usually one of the most popular days in Tolosa, because added to the many fans of choral singing found in the Basque country and the devotees from abroad drawn by the high level of competition, there is the presence of many very young members of the “home” [family] groups. Thus, again this year, tickets were sold out for yesterday’s matinée, which packed the Usabal Sportsplex for a concert of great quality, but surely also less attractive for the kids in the audience than other years.
Perhaps the fame that Tolosa has achieved at the international level has led the participating choirs to opt for repertoire dominated more by technical difficulty than diversity, by demonstrations of skill rather than pure entertainment. Yesterday this happened and pure competition won out over the choice of original or entertaining programs, thus the competition ended up tough and perhaps a bit boring.
A total of five choirs of kids of very different ages appeared in the contest. Mbidizo, from the Czech Republic, opened the competition with a mixed group with a definite female majority, and showed the median level of the day. Dressed with colourful ponchos and quite young, they achieved their best moments in Blecha-moucha, composed by their director, and in which in addition to singing they added some choreography.
The girls of Hungary’s Miraculum Children’s Choir, quite a bit more grown-up, provided a major contrast. With a sound more like an adult women’s choir, they were remarkable for their great vocal projection, achieving truly outstanding interpretations of pieces such as the Salve Regina by Kocsár - a lesson in dynamics - or the difficult A 150. Genfi zsoltar [?] of their compatriot Kodály, in which they offered pure music.
The level was maintained, but with a different style of singing in the Canadian choir [Shallaway]. The voices seemed more natural than those of the Hungarians, and demonstrated mastery of such important parameters as balance, intonation and [? impasto? something to do with texture?]. Warm and with very good dynamics, they offered a beautiful interpretation of the imposed work “Alami” of the [composer] from Pasaia Josu Elberdin. Their closing piece, the rhythmic “Tjak!”, had force and character.
The San Cugat Catalán children’s choir gave a remarkable performance with its very young singers. The ensemble, with a very different timbre than the previous choirs, showed great musicality.
The children’s choir competition closed with the performance of the Bat-Kol Children’s Choir from Israel, which had an uneven performance. Their best moments were in ixil ixilik dago, by Escudero, and the rhythmic Saperi tama.















